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阿多尔诺是西方当代著名的美学家，他的美学思想在西方美学史上具有独特的地位。他把艺术作为美学研究的中心课题，认为由于文化工业的兴起，艺术已发生了蜕变，变成大众艺术，成为肯定意识或妥协顺从意识的代表，而与之相对的现代主义艺术则通过对社会的否定和批判成为真正的艺术，并成为否定意识即革命批判意识的代表。因此，对文化工业的批判和对现代主义艺术的张扬构成了阿多尔诺一生艺术研究和美学探索的两个基本主题。这一点使他在美学上与现代主义艺术殊途同归地走到了一起。
Adorno is a well-known western contemporary esthetician whose aesthetic ideas have a unique position in the history of western aesthetics. He regards art as the central task of aesthetics research. He believes that because of the rise of cultural industry, art has undergone transformation and becomes the art of mass art, becoming the representative of affirmative consciousness or compromise and submissive consciousness, while the opposite art of modernism, The negation and criticism became real art, and became the representatives of the negative consciousness that is the revolutionary critical consciousness. Therefore, the critique of the cultural industry and the promotion of modernist art form the two basic themes of Adorno’s art research and aesthetic exploration in his lifetime. This brought him together aesthetically and modernist art.