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本刊2015年1期刊登了吕效平和吴海云关于上海话剧艺术中心《长生》的评论文章。上海话剧艺术中心杨绍林、该剧导演蒋维国和主演娄际成老先生针对吕效平、吴海云的批评,阐释了他们的创作思想,表述了不同意见。继《伐木》在天津大剧院演出后,德国邵宾纳剧院的《信任》和《哈姆雷特》也先后在此登陆。其中,《哈姆雷特》强悍、乖张的舞台风格以及对莎士比亚作品的大胆阐释再次激起了热议。刘志华借助“折叠”的概念,分析了该版本对哈姆雷特内心世界的诠释。高子文从该剧的喜剧性着眼,指出
Issue 1, Issue 1, 2015 Lv Xiaoping and Wu Haiyun published a commentary on “Longevity” of the Shanghai Theater Arts Center. Yang Shaolin, director of the Shanghai Theater Arts Center, Jiang Weiguo, the director of the drama, and Lou Jiacheng, the protagonist, criticized Lu Xiaoping and Wu Haiyun for expounding their creative ideas and expressing different opinions. Following the “logging” performance at the Tianjin Grand Theater, the “trust” and “Hamlet” at the Shaobingna Theater in Germany also landed here. Among them, “Hamlet” tough, perverse stage style and bold interpretation of Shakespeare’s work once again aroused heated debate. With the concept of “folding”, Liu Zhihua analyzed the interpretation of Hamlet ’s inner world by this version. Gao Ziwen from the play’s comedy point, pointed out