看了不少翌平的文字,这些文字烙着深刻的性别印记。他把男性作家对世界万物的特别感受以及男性作家所能有的世界观,鲜明但却又自然地流注在了他的故事、他的主题、他的叙事之中。开阔、雄浑的男性视野,富有光与电、铁与石的质感。故事大起大落,动作性很强。敌对,既是心理的,也是物理的。当下中国儿童文学的叙述风气很让人生疑,嬉皮笑脸的轻佻,叽叽歪歪的柔弱已成普遍的追求,还有无数的后来者趋之若鹜。翌平不左顾右 Read a lot of Yaying’s text, these words boast a profound gender imprint. His vivid but spontaneous interest in his story, his theme, and his narrative, his particular feelings of male writers on all things in the world, and the worldview that male writers can have. Open, powerful men’s vision, full of light and electricity, iron and stone texture. The story ups and downs, action is very strong. Hostile, both psychological and physical. The current Chinese children’s literature narrative style is very suspicious, hippie smile frivolous, grumble crooked weakness has become a common pursuit, there are countless later rushes. Yibing not left right