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在中国古代爱情类叙事文学中,有这样一类现象:女主人公的形象总比男主人公的形象丰满、突出、动人,而且这是普遍的,我们称之为“女强男弱”现象,这与中国古代社会男权中心地位是极不相称的。运用“神话——原型批评”理论评价这一现象,就会看出这是由于中华民族在远古时代就有一种对神秘力量的化身——女性的崇拜,经过千万年的积淀,逐渐形成的一种集体无意识,随着文化的传承被继承了下来。当这种“女性崇拜”的集体无意识处于深深的压抑中时,它就会通过梦或艺术来体现,表现在文学中,就出现了许多比男子形象强的女性形象,当然,这要通过置换变形而来,才能符合现实中的真善美的要求,为人们所普遍接受。
In the ancient Chinese narrative literature of love, there is such a phenomenon: the image of the heroine is always more than the image of the heroine, prominent and touching, and it is common that we call it the phenomenon of “ It is incommensurate with the patriarchal center of ancient Chinese society. Using the theory of ”myth-archetypal criticism“ to appraise this phenomenon, we can see that this is due to the fact that in ancient times the Chinese nation had an incarnation of the mysterious power - the worship of women. After thousands of years of accumulation, it gradually formed A collective unconscious, inherited with the succession of culture. When this ”female worship" collective unconscious is deeply depressed, it will be reflected through dreams or art. In the literature, many images of women appear stronger than men, of course, In order to meet the requirements of truth, kindness and beauty in reality, it is generally accepted by people.