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本文回顾了作者从事《三国演义》研究34年来,主要在四个方面所进行的努力:(1)精心校理《三国》版本;(2)深入探讨《三国》文本,包括思想内涵、人物形象、创作方法等;(3)对《三国》研究史的回顾与展望;(4)多方阐释三国文化,包括对“三国文化”概念的界定、对《三国》改编与再创作的关注和介入、对“三国文化旅游”的理论探讨。其中贯穿着作者沉潜学术的精神和探求真知的心得。
This article reviews the author’s efforts in the 34 years since his studies on The Romance of The Three Kingdoms and mainly in four aspects: (1) carefully calibrating the “Three Kingdoms” version; (2) exploring in depth the texts of the “Three Kingdoms” including ideological connotations, (3) the review and prospect of the history of the “Three Kingdoms”; (4) the interpretation of the Three Kingdoms culture from multiple perspectives, including the definition of the concept of “Three Kingdoms Culture”, the concern for the adaptation and re-creation of the “Three Kingdoms” Intervention, Theoretical Exploration into the “Cultural Travel of the Three Kingdoms”. It runs through the author’s subliminal academic spirit and his exploration of true knowledge.