论文部分内容阅读
“构图”古曰:布势布阵。早在东晋顾恺之的《魏晋胜流画赞》就提出“置陈布势”的说法。“置陈”:物象的定位,布阵。“布势”:物象的分布,着意取势。“情势”:构图的核心,构成了形式的主导,从而揭示了构图的内容,要求把“情势”体现在:美丽之形,尺寸之制,
“Composition ” ancient saying: cloth layout. As early as in the Eastern Jin Gu Kaizhi “Wei Jin Shengzhu painting like” put forward “set Chen cloth potential ” argument. “Set Chen ”: the positioning of objects, cloth array. “Cloth potential”: the distribution of objects, deliberately take advantage of. “Situation ”: the core of the composition constitutes the dominant form, thus revealing the composition of the content, requiring the “situation ” reflected in: the beautiful shape, the size of the system,