论文部分内容阅读
我国的民族乐器源远流长,品类繁多,风格独待而为世人瞩目。由于历史的原因,一部分乐器在音量、音色、音域与音阶等项还存在一些尚待改进的方面。建国以来,从事民族器乐教学、演奏、科研和制作的专家、学者们,为民族乐器的科学化、完善化、系列化付出了艰辛的劳动,取得了可喜的成就。然而,在乐器改革工作中也存在着门户之见、抱残守缺、信息不灵、重复劳动等弊端。比如,近年来在报刊、广播、电视中大力介绍的双托十一孔改革竹笛,就是上述弊端的一个具体例证。继1980年《乐器科技》第六期刊登了一篇
China’s national musical instrument has a long history, a wide range, unique style and world attention. Due to historical reasons, some of the instruments still have some aspects to be improved in terms of volume, timbre, range and scale. Since the founding of the People’s Republic of China, experts and scholars engaged in the teaching, performance, research and production of ethnic instrumental music have made painstaking efforts in the scientific, perfecting and serialization of national musical instruments and have made gratifying achievements. However, in the work of musical instrument reform, there are also some drawbacks such as portrayal, lack of information, ineffectiveness of information and duplication of work. For example, the reform of the bamboo flute, which was held in newspapers, radio, and television in recent years, is a concrete example of the aforementioned drawbacks. Following the 1980 “musical instrument technology” published an article sixth