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人像雕塑中由人体雕塑与着衣人物雕塑这两大部分所组成。着衣雕塑作品在具像雕塑作品中占有很大的比重。衣纹雕塑处理的成败是着衣人物雕塑能否取得成功的关键之一。本文通过对静物的裹布所产生的褶纹进行理性分析以及对褶纹的构造、组织形式以及一般的变化规律的分析,提出衣纹研究在雕塑创作过程中的运用方法。启发衣纹雕塑创作要通过观察揣摩,寻得其中的内在本质并将其本质予以物化。
Portrait sculpture by the human body sculpture and clothing sculpture composed of these two parts. Dressing sculptures occupy a large proportion of the sculptures. The success or failure of garment processing sculpture is one of the keys to the success of the garment sculpture. In this paper, by analyzing the folds produced by the wrapping of still life and analyzing the structure, organization and general variation of the folds, the author puts forward the application of the research on the garments in the sculpture creation process. Inspired by the creation of clothes sculpture sculpture try to figure out, find the inner essence and materialize it.