一、引子深秋黄昏,林间道上。天空泛着金黄,秋风乍停乍起,随着我漫步的节奏,夕阳在随风轻摇的枯叶间时隐时现,千奇万状的树干树枝,忽然也成了漫天飞舞着的褐色、灰色、金黄色、橙红色、白色——既有无边落木萧萧下的飒爽,又有日月之行如出其中的壮观。我突然就记起了那幅在大都会博物馆独占整整一面墙的《秋韵》,波洛克的泼画杰作。然而,《秋韵》中没有一棵树,没有一片叶子,也没有一缕夕阳,也没有“秋日胜春朝”和“红于二月花”的矫情,只是静态的色彩、线条 First, the late autumn primer, forest Road. The sky glowed golden, the autumn wind at first glance, with the rhythm of my walk, the sunset in the wind shaking the dead leaves hidden moment, the strange branches of the trunk, suddenly has become a flying brown, Gray, golden yellow, orange red, white - both the flourishing wood under the rustling, there are sun and the moon as one of the spectacular. I suddenly remembered that piece in the Metropolitan Museum monopoly of the entire wall of “Autumn Rhyme”, Pollock’s painting masterpiece. However, there is no single tree in the “Autumn Rhyme”, there is neither a leaf nor a ray of sunset nor the hypocritical state of “Spring in Autumn” and “Red in February Flower”, but the static color ,line