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新感觉派作为20世纪30年代海派文学中较有代表性的一支,与上海旧式都市有着与生俱来的天然联系。以穆时英、刘呐鸥等为代表的中国新感觉派作家借鉴日本新感觉派的“感觉叙事”手法,曲尽其态地展示出旧上海都市的独特的都市图景。本文试从新感觉派小说典型文本的剖析出发,从都市的繁华表象和都市落寞之感两方面论述“新感觉小说与旧上海都市意识生成”之间的联系,并将其置于较为开阔的时代文化视野中进行考察。
As a typical representative of the Shanghai literature in the 1930s, the new sensationalism has an innate natural connection with the old Shanghai metropolis. The Chinese novelist writers represented by Mu Shiying and Liu Naou draw lessons from the sensory narration of Japanese neo-sensualist genres and do their best to show the unique urban scene of the old Shanghai metropolis. Based on the analysis of the typical texts of the new sensation novels, this article discusses the relationship between the “new sensation stories and the old Shanghai urban consciousness generation” from the prosperous appearance of the city and the sense of lonely city, and places it more open The era of cultural perspective.