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中国古代写真观念是中国艺术思想史的重要内容,但学界对此缺乏应有的关注。从艺术形式来看,写真创造的是一种审美幻相;从审美体验而言,写真传达的是生命的须臾体验;就思想渊源而论,写真是佛理禅意在文人艺术领域的审美呈现。中国古代写真观念与即幻即真、真俗圆融的思想有关,也与真幻双泯的妙悟相联。
China’s ancient concept of pictorial history of Chinese art is an important part of the history, but academia lacks due attention. From the perspective of artistic form, pictorial creation is an aesthetic illusion; from aesthetic experience, pictorial communication conveys the necessary experience of life; as far as ideological origin is concerned, pictorial is the aesthetic presentation of Buddhist Zen in the art field of literati . The ancient Chinese concept of pictorial is related to the idea of illusion that is true and true, and is also associated with the magical comprehension of the double magic of truth.