新世纪新女性画家的作品,多数立足于自身生存状态的思考,孔超将孤芳自赏转变成一种惬意的表达,把生活中的忧思,用绘画来分解,反而给人以轻松的状态,在创作过程中她也在不断地寻求当下与她生活最贴近的题材,用女性的视角关注内心的诉求,不断寻求自由、愉悦的生命体验。孔超的绘画经历与她的同龄人仿佛没有什么差异,她在报考中央美术学院国画系之前对学校的各个专业并没有特别的了解,仅仅是由于自小习书法,而当年正逢中国画学院考试改革第一年,其中一门考 In the new century, the works of the new female painters are mostly based on the thinking of their own existence. Kong Chao transformed the solitude into a kind of comfortable expression, distressing the worries in life with the painting, and giving people a relaxed state. During the process, she is also constantly seeking the closest theme to her life, paying attention to her inner demands from the perspective of women and constantly seeking for a free and enjoyable life experience. Kong Chao’s painting experience seems to be no different from that of her peers. Before she applied to the Central Academy of Fine Arts for painting, she did not have any special understanding of the various professions of the school, just because she studied calligraphy at an early age, The first year of reform, one of the test