自唐太宗、宋徽宗、元文宗爱好收藏以来,清乾隆朝内府书画收藏亦颇丰富。一方面乾隆时代海内统一,国力强盛,社会相对安定,此种外部条件为内府书画的高度聚集提供了有利保障。另一方面乾隆帝的喜好与个性等主观因素构成收藏鉴赏活动持续进行的根本动因。乾隆帝对书画收藏兴趣之养成,从根源可追溯至清入关后顺、康、雍三 Since the Taizong Emperor, Song Huizong, Yuan Wenzong hobby collection, Qing Emperor Qianlong Dynasty in the House paintings collection is also quite rich. On the one hand, the reunification of the Qianlong era at sea, strong national power, social stability, such external conditions for the high concentration of painting and calligraphy within the House provides a favorable guarantee. On the other hand, Emperor Qianlong’s subjective factors such as preferences and personalities constitute the fundamental motivation for the continuous appreciation of collections. Emperor Qianlong’s interest in the collection of calligraphy and painting to develop, from the roots can be traced back to the Qing Shun, Kang, Yongsan