我想套用彭德评傅中望文字的开篇作为本文的开篇。彭德的评傅文字中夜郎自大般的呓语,坚定了其在中国当代艺术批评中上的近乎无耻的狭隘地位。 这样的“彭德”在艺术批评界实在算凤毛麟角,本文仅谈雕塑批评。翻阅近几年与此相关的文字,不难发现,这样的“彭德”至少还可以包括如下人士:栗宪庭、殷双喜、刘骁纯。尹吉男颇少涉猎雕塑批评,但其与隋建 I would like to apply Peng’s comment on the opening of Fu Zhongwang’s writing as the opening of this article. Peng De’s flirtatious appraises in Fu’s writing reinforce its almost shameless narrow position in the criticism of contemporary Chinese art. This kind of “Peng De” is really rare in art critics. This article only talks about sculpture criticism. Reading through the texts related to this in recent years, it is easy to see that such “Peng De” can at least include the following persons: Li Xianting, Yin Shuangxi and Liu Xiao Chun. Yin Jina few sculptures critics, but with Sui Jian