论文部分内容阅读
中国艺术思想渊源于大自然深山大泽中的龙蛇虎豹、星云鸟兽的飞动形态,借此象征宇宙的更替变换与神秘的韵律之美。“四神”源于中国古代的星宿信仰,青龙白虎掌四方,朱雀玄武顺阴阳,以“四神”来表示天象,是远古人类认识世界的思维方式,是图腾信仰观念下的产物。古人对待身边所能观察到的事物,往往加以形象化的表达,也就使这个形象的表达必然具有某种象征意义,并最终形成了以符号与图像为主题的人类文化体系,博大精深,影响深远。
The Chinese artistic thoughts originated from the dragon-shaped snake-eagle, the nebula and bird beasts in the deep mountains and mountains of nature, which symbolize the transformation of the cosmos and the beauty of the mysterious rhythm. “Four Divine ” originated from the ancient Chinese star worship belief, the White Tiger palm Qinglong Quartet, Suzaku basaltic along the yin and yang, with “God” to represent the astronomical phenomena, is the way of ancient human understanding of the world thinking is the concept of totem product. The ancients’ treatment of the things that can be observed around them is often expressed vividly, which inevitably leads to the certain symbolic meaning of the expression of this image and eventually forms the human cultural system with symbols and images as the theme, profound and far-reaching. .