论文部分内容阅读
点是山水画的基本构成要素之一。在早期的山水画中,点在画面上的运用并不明显,只起到简单的点缀作用,没有传达自觉、主动的表现意识,尚不具备绘画语言层面的意义。到北宋,画家董源用点恰如其分地表现了南方山体多树、圆润秀美的地貌特质。董源是山水画点法语言的创建者,他使点成为画面构成的一个积极因素。巨然、范宽、米芾、王蒙、龚贤、石涛、黄宾虹等历代画家对点的运用更是大胆,主观的表达意
Point is one of the basic elements of landscape painting. In the early landscape painting, the point on the screen is not obvious, only played a simple role of embellishment, did not convey a conscious awareness of the initiative, do not yet have the meaning of the language of painting. To the Northern Song Dynasty, Dong Yu painter aptly demonstrated the southern mountain trees, mellow and beautiful landscape features. Dong Yuan is the founder of the landscape painting point language, he made the point a positive factor in the composition of the screen. Juran, Fan Kuan, Mi Xuan, Wang Meng, Gong Xian, Shi Tao, Huang Binhong and other ancient artists use the dots more daring and subjective expression