论文部分内容阅读
纪实摄影艺术与存在主义的死亡哲学间是捆绑共生的关系。纪实摄影艺术作品的存在主义的死亡哲学思想取决于题材本身的社会价值、文化价值,同时也取决于纪实摄影家的思考、认识与评价;而存在主义的死亡哲学中要求人们直面死亡,向死而在,并把死亡同整个人生筹划和人的自由联系起来的哲学理念又被纪实摄影用“砰”的一声完美的反诠释着。存在主义的死亡哲学于纪实摄影艺术的影响是树根似的,深入而透彻的。其直接表现为一种瞬间却持续的视觉冲击;深刻表现为用人类彼此的感情、困惑、灾难、喜乐来互传心语----人性的交流。这种人性的交流同时也给纪实摄影艺术中存在主义的死亡哲学一种新的思考方式与探索。
Documentary photography art and existential philosophy of death is a bundle of symbiotic relationship. The existentialist philosophy of death in documentary photography works depends on the social value and cultural value of the subject itself, as well as on the thinking, understanding and evaluation of documentary photographers. In existentialist philosophy of death, people are required to face death directly and die However, the philosophical concept of linking death to the planning of the entire life and the freedom of mankind has been perfectly reflected in documentary photography with a “bang”. The impact of existential philosophy of death on documentary photographic art is root-like, in-depth and thorough. Its direct manifestation is an instantaneous but continuous visual impact; it is manifested in the mutual exchange of humanity with human feelings, confusion, disaster and joy of human beings. This exchange of humanity also gives a new way of thinking and exploration of the existential philosophy of death in documentary photography.