Derek Jarman逝世14周年,好友Isaac Julien为他筹划回顾展。Derek Jarman创作的电影向来富争议性,前卫色彩强烈,爱用电影媒介作同性情欲描写,并以毫不妥协姿态,对当前政治环境大肆批判与嘲讽。他大部分作品都在跟传统对话,把古人的故事,改写成现世思考。1986年,他身染爱滋病,搬到乡郊小屋写成日记兼回忆录《Modern Nature》。《蓝》是他最后的电影遗作,片中只有一个充满蓝色的镜头,反映了Derek对生命、爱、疾病、艺术的意义,还记录了他与HIV病毒斗争的心路历程。 The fourteenth anniversary of the death of Derek Jarman, his friend Isaac Julien planning for his retrospective. Derek Jarman's films have always been controversial and avant-garde in color. They love to use the cinematic medium for homosexual depictions and, with no uncomfortable gestures, criticize and sarcastic the current political environment. Most of his works are in dialogue with the tradition, the story of the ancients, rewritten into the world thinking. In 1986, he became infected with AIDS and moved to the rural cottage for diary and memoir “Modern Nature.” “Blue” is his last movie posthumous act. There is only one blue lens in the film, which shows Derek's meaning of life, love, disease and art. He also records his mentality of fighting the HIV virus.