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十九世纪下半叶,当第一批西方摄影师来到中国的主要港口——香港、上海和广州——的时候,他们面对着一个未知的宇宙,一种陌生的东方视觉传统,这和郎世宁当年为了符合康熙、雍正和乾隆的审美标准而改编写实油画相类似。最早带着照相机来到中国的外国人,曾不断地寻找这种新媒介与当地文化结合的可能性,并且努力探索在“异域文化”中来如何解释摄影这种“摄魂术”。
In the second half of the nineteenth century, when the first Western photographers came to China’s major ports - Hong Kong, Shanghai and Guangzhou, they faced an unknown universe, a strange Eastern visual tradition, which And Castiglione the same year to meet the Kangxi, Yongzheng and Qianlong aesthetic standards and realistic oil painting is similar. The foreigners who come to China with their first cameras have been constantly looking for the possibility of combining this new medium with the local culture and are trying to find out how to interpret photography as such in the “exotic culture” ".