曲艺源自民间,遍及大江南北,语言声腔各有千秋,无论是以相声为代表的北方曲艺,还是以评弹为标志的南方曲艺,产生了很多脍炙人口的好作品,传唱至今,也正是这些好作品,推动了曲艺事业的蓬勃发展。但是,在社会日新月异发展的今天,曲艺观众正在逐渐流失,而这归根结底在于曲艺创作的跟不上,没有新段子,既留不住老观众,也无法吸引新观众。曲艺观众更渴望在笑声中得到启迪,在启迪中思考人生。 Folk art from all walks of life, all over the major cities of the North and the South, the voice has its own strengths and weaknesses, whether it is represented by the crosstalk of the North folk art, or the applause of the South Folk Art, produced a lot of popular works, sung so far, it is these good works to promote The flourishing career of folk art. However, with the rapid development of society, Quyi audiences are gradually losing their audience. This is ultimately because Quyi’s creation can not keep up and there is no new segment. It can neither retain the old audience nor attract new audiences. Quyi audience is more eager to be enlightened in laughter, thinking life in enlightenment.