论文部分内容阅读
文章从当代特有的后现代社会特点入手,分析了图像的生产在当今社会条件下所呈现的便捷快速和易于修改的特点;并且在这一系列的特征所产生的图像创作基础上,分析图像作为社会权力结构中的新型呈现媒介,所拥有的特殊的作用;图像生产者通过戏仿经典传统图像以及利用数码复制等当代新技术,在后现代社会中以图像和商业文明所交织出的特有的社会景观为舞台,开始逐渐侵占和挣脱了传统权力结构对于图像生产的束缚,转而利用自身的技术和艺术优势,成为新型社会结构中权力的实际应用者,并逐渐使传统的权力呈现趋向了极具后现代特点的碎片化、个体化和微观化等特点。
The article starts from the peculiar characteristics of the postmodern society and analyzes the characteristics of the production of the images in the present social conditions. It also analyzes the images as the basis of the images produced by these series of features The new media of social power structure, has a special role; image producers by copying the classic traditional image and the use of digital copy and other contemporary new technologies in the post-modern society and the commercial image of the interwoven with the unique Social landscape as a stage, began to gradually encroach and get rid of the traditional power structure of the image of the production constraints, in turn use their own technical and artistic superiority, become a new type of social structure of the practical application of power, and gradually to the traditional trend of power presentation Very fragmented, individualized and micro-oriented features of post-modernism.