歌坛曾经出现过这样的现象,一首歌曲往往能够在一夜之间唱遍天南地北,引发出巨大的社会反响,从而也被广大群众所普遍知晓。这种现象从上世纪五十年代开始经过十年“文革”一直延续到上世纪八十年代甚至九十年代后期。基于此,进入新时期之后,对于歌曲创作中所谓“流传意识”的追求,作为一种创作理念,曾被少数取得成功的词曲作者们广泛传授。也许正是由于这种现象给人们留下的印迹太过深远的缘故,在一些人看来,凡是优秀的歌曲,就应该、也必然应当流传,甚至一定会流传。问题真的会是这样吗?我以为,到了进入新时期三十余年后的今天,这种观点就不能不引起我们的思考。 There have been such a phenomenon in the music scene, a song can often be sung all over the world overnight, triggering a huge social repercussions, which is also widely known by the general public. This phenomenon has lasted for ten years from the 1950s to the Cultural Revolution and continued into the 1980s and even the late 1990s. Based on this, after entering a new era, the pursuit of so-called “mass consciousness” in songwriting has been widely taught by a handful of successful songwriters as a creative concept. Perhaps it is precisely because of this phenomenon to people left imprinted too far reason, in some people’s opinion, all good songs, it should and must be circulated, and even be circulated. Is this really the question? I think that by the time we enter the new era more than thirty years later, this view can not but cause us to think.