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新中国电影伴随国家60年华诞,到了一个甲子。我们有理由期待中国电影的新发展局面早日到来。就现状论,中国电影的振兴应该来自于市场立足、艺术把持、观念开放、技术进步等多个方面。如果说,以往,我们还可以单兵突进而使得创作不时有亮眼之作,那么,如今,和中国经济建设飞跃、文化影响力壮大相适应的电影,就应该到了整体上朝向丰满状态跃升的阶段了。这里的整体自然是适应影响力日渐扩大的世界大国的文化产品丰盛气度的创作。而在这一路途中呈现的本体创作的多样探索已经不是星星点点的试探,而应该有兼顾时代要求的文化建设的意义。
New Chinese film accompanied by the 60th anniversary of the country, to a Koshien. We have reason to expect the new development of Chinese movie sooner or later. On the status quo, the rejuvenation of Chinese film should come from the market based, art control, open concept, technological progress and many other aspects. If, in the past, we were able to make single breakthroughs and make creative works from time to time, then today’s film that is compatible with China’s rapid economic growth and cultural influence should have reached a leap toward plumpness as a whole Stage has. The overall nature here is the creation of a richness of cultural products adapted to the growing world power. However, the diversified explorations of ontology presented on this journey are no longer tempting but rather have the significance of cultural construction in keeping with the requirements of the times.