尽管1976年蒙特利尔奥运会饱受经济亏空和“非洲抵制”运动的阴影,但是这届奥运会的官方电影《第二十一届奥运会》却从人性化的角度将运动员在影片中的重要性提高到了一个全新的高度。加拿大著名导演让·克劳德·扭伯莱克运用极强的叙事手段,将以三位运动员为主角的叙述片段为影片的前景,大量的体育比赛作为背景,大量地还原体育比赛的时空真实性,将巴赞的“事件在时间和空间上的统一”理论发挥到了极致。 Despite the shadow of the economic deficit and the “Boycotts of Africa” ​​movement in Montreal in 1976, the Olympic Games official film “The 21st Olympic Games” raised the importance of athletes in the film from the perspective of humanity To a whole new level. The famous Canadian director Jean Claude Twirl Lake uses the strong narrative method, will be the narrative fragment of the three athletes as the film's prospects, a large number of sports competitions as a background, a large number of reduction of sports time and space authenticity , Which will bring Bazin's “unification of events in time and space” to the limit.