近年来,“神翻译”迅速蹿红,占领了网络的大片江山。这些翻译或以文言、古诗词的形式,或以诙谐搞笑的网络流行语形式出现。虽然其中不乏译者的再创作,亦可看出,国人对本土文化的认同感较以往加深。本文笔者以英文诗歌I Am Afraid的五种译本为例,在归化翻译策略的视角下分析这些译本究竟是归化,还是译者的娱乐化改写。 In recent years, “God translation ” rapidly red, occupying a large network of rivers and mountains. These translations appear either in classical Chinese or in ancient poetry, or in the form of witty and funny cyber buzzwords. Although there are many translators for further work, we can also see that people’s recognition of local culture has deepened more than before. Taking the five translations of I Am Afraid, an English poem, as an example, the author analyzes whether these translations are naturalized or the translator ’s entertainment rewriting from the perspective of naturalized translation strategies.