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艺术品的价值是由它的美学质地决定,还是由那些著名大师的签名所决定的呢?1947年,伦敦考陶尔德画廊购买了一幅《圣母子图》,这幅画以文艺复兴时期常见的模式,描绘忧郁而美丽的圣母。专家们认为这幅颜色鲜丽的木板画是意大利画家波提切利的真迹。因此,作为镇馆之宝,挂在了考陶尔德画廊最醒目的位置。但不久之后,英国艺术史家克拉克就发现圣婴的脸看起来太像美国好莱坞30年代的性感女星珍·哈露了。哈露可是在波提切利死亡400年之后才出生的,因为这种相像太不可思议,引来了学者们更进一步的调查。调查的结果简直令考陶尔德画廊颜面扫地,这幅画原来出自意大利天才造假者吉恩蒂(Umberto
Is the value of an artwork determined by its aesthetics or by the signature of those famous masters? In 1947, the Colombo Gallery in London bought a “Virgin and Child Figurine,” a painting dating back to the Renaissance A common pattern that portrays the melancholy and beautiful Virgin Mary. Experts think this bright-colored wood plank is the authentic Italian actress Botticelli. Therefore, as the treasures of the town, hung in the most eye-catching position of Coward Gallery. Shortly after, however, Clarke, an English art historian, discovered that the face of Santa’s baby looked too much like the sexy actress Jane Haruh in the 1930s in Hollywood. Hailu was born 400 years after Botticelli’s death, for the reason that such an image was so marvelous led to further investigations by scholars. The result of the survey was just to make Coward Gallery graffiti, the painting originally from the Italian genius counterfeiter Jean (Dimberto