清代戏曲理论家、文学家李调元在《剧话》中说:“弋腔始弋阳,即今“高腔”……”明代戏曲作家王骥德在《曲律·论腔调之十》中讲:“数十年来,又有“弋阳”、“义乌”、“青阳”、“徽州”、“乐平”诸腔之出。”明代戏曲音乐家沈宠绥在《度曲须知·曲运隆衰》中叙述明代声腔演变状况时也指出:“腔则有“海盐”、“义乌”、“弋阳”、“青阳”、“四平”、“乐平”、“太平”之殊派”。 Li Chiyuan, a theorist and writer of the Qing Dynasty drama, said in his “The Story of the Drama”: “Yi Yang began to be a violinist at the present time and now” Gao Cavity “...” In the “Ten Notes on Tune and Theory” written by Ming Dynasty opera writer Wang Jide: “For decades, there are” Yiyang “,” Yiwu “,” Qingyang “,” Huizhou “,” Leping “out of all kinds of.” Ming Dynasty opera musician Shen Chong Sui in the “ Bad Times ”also states that the evolvement of Ming Dynasty vocal cords also states:“ The cavities have different schools of ”Haiyan“, ”Yiwu“, ”Yiyang“, ”Qingyang“, ”Siping“, ”Leping“ and ”Taiping".