《武则天》、《上官婉儿》、《高阳公主》、《阮玲玉》和《胡蝶》有某种内在共通的因素或者说就是近似的叙事模式,它意味着赵玫用隐喻的方式在更深远的背景中处理自己创作的元命题,因此,它们虽然是历史小说,但可以成为我们理解赵玫小说文化旨趣的标本。自然,要达成这一目的,需要将赵玫的作品构成一种互文阅读才有可能。一、阅读书写与唐宫女性的丰满感觉走进阴冷的掖庭,武则天其实不知道自己是天命的牺牲品。她陷入到一种危机,她的周围是一群类似于腊腊那样郁郁寡欢的宫女,她害怕自己成为那样的不幸角色。在 There are some intrinsic factors in common with Wu Zetian, Shangguan Wan’er, Princess Gao Yang, Ruan Lingyu, and Hu Die. They are approximate narrative patterns, which means that Zhao Mei uses metaphorical means to explore more profound Therefore, although they are historical novels, they can become specimens of our understanding of the cultural interest of Zhao Mei’s novels. Naturally, in order to achieve this goal, Zhao Mei’s work needs to be constructed into a kind of intertextual reading. First, the reading and writing Feelings of the Tang Palace feminine Into the gloomy Ye Ting, Wu Zetian actually do not know that they are victims of destiny. She fell into a crisis, surrounded by a group of unhappy ladies like Lara, who was afraid she’d become that unfortunate character. in