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2009年中旬京剧《赤壁》在国家大剧院上演两次共20场,场面火爆,2010年5月第三度回归舞台。本文试分析京剧《赤壁》如何在流行文化与现代传媒的充斥下挣扎求存:该剧恢弘壮丽的场面点燃了观众看戏的激情,同时也借电影《赤壁》的“东风”造势,挑战了观众对戏剧功能及属性的想象极限。人们对京剧的欣赏模式从“听戏”到“看戏”发生了转变,这样的转型虽然引发了争议,但对京剧艺术的发展,却是有益的尝试。
In mid-2009, Peking Opera “Red Cliff” staged a total of 20 games at the National Center for the Performing Arts. The scene was hot and the third stage was returned to May 2010. This article tries to analyze how Peking Opera “Red Cliff” struggled to survive under the pop culture and modern media. The magnificent scene ignited the audience’s enthusiasm for watching the movie. At the same time, it also made use of the “Dongfeng” of the movie “Red Cliff” Challenge the audience’s imagination of drama features and attributes. People have changed their mode of appreciation of Peking Opera from “listening to opera ” to “watching opera ”. Although this kind of transformation has caused controversy, it is a beneficial attempt for the development of Peking Opera.