佚人营造的中国新民居这几年来的住宅实践有两个比较大的立场,第一个是拒绝全盘工业化,即用轻钢体系去大批量营造民居,我们试图使新民居变成手工业和工业产品之间的高度调和品,现代与传统能在此和解。钱理群先生他讲了一个关于中国知识分子五次去农村的一件事情。他点出了一个观点:不是说农村需要知识分子,而是知识分子需要农村。这是一个非常重要的观点,他主要是讲中国乡土文化,中国的乡土文化是中国整个的一个文化界,不论是古代的还是当代的非常重要的一个思考源泉,或者说是一个想法的根源。为什么这么讲,如果大家关心过一些古代的生产方式,你就可以很清楚地知道,古代所有真正的手工艺术品,都是农民生产的。这些农民可能是被封建社会进行了一种相当粗糙的组织,包括养蚕的、做丝绸的、木匠,还是所有烧窑的,这些工作都是在农村完成的,而 The New Residences Created by Lost People There are two relatively large positions in housing practice over the past few years. The first one is that it rejects overall industrialization, that is, using light steel systems to build large-scale dwelling houses. We have tried to turn new dwellings into handicraft and industrial High harmony between products, modern and traditional in this reconciliation. Mr. Qian Liqun he told one thing about Chinese intellectuals going to the countryside five times. He points out the point: not that rural areas need intellectuals, but that intellectuals need rural areas. This is a very important point of view. He mainly talks about Chinese native culture. China’s native culture is a cultural field in China. It is a very important source of thinking, or the root of an idea, both ancient and contemporary. Why do you say that if you care about some ancient methods of production, you can clearly see that all ancient ancient handmade artworks are produced by peasants. These peasants may have been quite rough organized by the feudal society, including sericulture, silk, carpenter, or all the kilns, all done in rural areas, and