《草根的力量》,使我由此想起了吴文光的《现场》一书。《草根的力量》是研究浙江台州地区民间传统戏班的,采取了当下学界正热门的社会学的“田野”方法。跟踪调查,据实记录。与傅谨的方法类似,《现场》平实无华地记录了目前国内发生的有关艺术、文学、剧场、电影、音乐等方面的一些人、一些作品和一些有关的事。据编纂者吴文光讲,书名“现场”的意思就是想表示所记录事实的“现在时”和“在场”。构成这种“在场”的材料是 “The power of grassroots” reminds me of Wu Wenguang’s “Live” book. “The power of grassroots” is a study of traditional folk troupes in Taizhou, Zhejiang Province. It takes the sociological “field” method that is currently in the academic circle. Follow-up investigation, the actual record. Similar to Fu Jin’s approach, “on-the-spot” plainly records some of the people, works, and related issues that have taken place in China today in the fields of art, literature, theater, film, music and so on. According to the editor Wu Wenguang, the title of the book “Live” means to present the “present time” and “presence” of the recorded facts. The material that makes up this “presence” is