自觉的责任——再谈“合肥工笔重彩画创作研究群体”现象

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面对经济全球化和世界文化格局的变化,我们在思考什么?能做什么?这些问题安徽的画家也可能没去考虑,或者说没有考虑的条件和空间。说到弘扬民族文化,用创造性劳动实现民族文化的当代发展,安徽的画家可能没说,但他们在艺术实践中做到了。安徽在历史上曾是举国注目的文化大省,在长期的历史实践中安徽人创造出了底蕴深厚、独具特色的传统文化,文化积淀十分丰富。近几年安徽美术界又有一个现象引人注目,那就是“合肥工笔重彩画创作研究群体”活动。在合肥地区有着一批活跃在基层的中青年画家,就是这批勤奋执着的画家5年来在全国重大美术展览上拿回了7块金牌,5块银牌,取得了令人瞩目的诸多成就。 In the face of changes in the economic globalization and the world cultural pattern, what are we thinking about and what can we do? These artists may not even think about the conditions and space that Anhui’s painters did not consider. When it comes to carrying forward the national culture and realizing the contemporary development of national culture with creative work, Anhui painters may not say it, but they did it in the practice of art. Anhui has historically been a cultural province with a national attention. In the long history of practice, Anhui people created a profound and unique traditional culture with rich cultural accumulation. In recent years, another striking phenomenon has emerged in the art world in Anhui Province, which is the “Collective Research Group of Hepaishou Tonal Painting”. In Hefei, there are a group of young and middle-aged painters who are active in grassroots units. It is these hardworking painters who have won 7 remarkable gold medals and 5 silver medals in major national art exhibitions in the past 5 years.
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