从鸳鸯蝴蝶派作家到抗战前期的抗战文学作家,抗战中后期,张恨水创作出现再次转型。本文以抗战历史为叙述维度,运用抒情传统和习性理论对张恨水这一时期创作心态的转变进行了考察,并着重分析了其抒情特质中的道家情怀和士大夫趣味。 Writer from the school of the mandarin duck and butterfly to the anti-Japanese war literature writer in the early period of the Anti-Japanese War, Zhang Henshui’s creation appeared to be transformed again in the late period of the war of resistance. Taking the history of the Anti-Japanese War as the narrative dimension, this paper examines the transformation of Zhang Hen-shui’s creative mentality during this period using the lyrical tradition and the theory of habit. It also analyzes the lyrical traits of Taoist and scholar-officials.