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我最早读到的斯特林堡作品,是他的《红房间》,张道文先生翻译的中文版。那是1983年和1984年之间,二十多年过去了,有关《红房间》的阅读记忆虽然遥远,可是仍然清晰。斯特林堡对人物和场景的夸张描写令我吃惊,他是用夸张的方式将笔触深入到社会和人的骨髓之中。有些作家的叙述一旦夸张就会不着边际,斯特林堡的夸张让他的叙述变得更加锋利,直刺要害之处。从此以后,我知道了有一位伟大的作家名叫斯特林堡。
The first Strinberg work I read was his Chinese translation of Mr. Zhang Daowen in his “Red Room.” It was between 1983 and 1984 that more than 20 years have passed. The reading memory of the “red room” is still distant but still clear. Stricken by the exaggeration of characters and scenes, Strindberg surprised me with his exaggerated brushwork into the marrow of society and people. The exaggeration of some writers would not be marginalized, and the exaggeration of Strindberg made his narrative even sharper and more crucial. Since then, I have known a great writer named Strindberg.