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作为日本学研究的外部视角,战后日本的“中国形象”研究可以为研究者站在一个文化“互镜”的立场来梳理战后的日本思想提供一条潜在的线索。概述战后日本的中国形象,“文化他者化的中国形象”映证出战后日本走过了一条区别于中国、东方乃至整个亚细亚的“自我西方化”的思想道路,将中国视为带有负面意义的“文化他者”;“意识形态化的中国形象”折射出战后日本将中国视为超现代国家或者社会主义大国,进而将中国视为了巨大的威胁,由此而相对性地界定自身走过了所谓的“战后民主主义”道路;“交涉对象化的中国形象”则体现出陷入焦虑困境的日本,是基于东方与西方、内部与外部、全球化与地域化这样的“二元对立”模式来认识中国,且会在一个与中国展开“文化交涉”的格局下构建自身未来的道路。在这样的中国形象的背后,潜藏着“为了日本”、“以中国为工具”的日本的思维方式或者说社会病理。
As an external perspective of the study of Japanese studies, the post-war Japan “China Image ” study can provide a potential clues for researchers to sort out the postwar Japanese ideology from a cultural / cross-examination perspective. An overview of the postwar China’s image in China and the “image of the Chinese with the culture of others” reflect that after the war Japan passed an ideological path that differentiated itself from China, the East and even Asia as a whole, As a “cultural other” with negative meanings. “The” ideological Chinese image “reflects that after the war Japan viewed China as an ultramodern country or a socialist country, which in turn saw China as a huge threat. Thus it relatively defines itself through the so-called ”post-war democracy “ path; ”Negotiation of the object of the Chinese image “ reflects the anxiety trapped in Japan, is based on the East and the West, internal and Externalities, globalization and regionalization so as to understand China and build its future on the basis of a pattern of ”cultural negotiations“ with China. Behind such an image of China lies the hidden Japanese way of thinking or social pathology, ”for Japan,“ and ”using China as a tool."