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易卜生经典剧作《玩偶之家》的女主角“娜拉”似乎无人不知。尽管在不断追求日新月异的当下该词似乎早已被锁进历史冷藏柜鲜有问津,但回溯百年前中国从近代步入现代的历史关口,“娜拉”一词所引发的社会影响可谓天翻地覆。正如学者孟悦、戴锦
Ibsen’s classic play “Doll House” actress “Nora ” seems unknown to anyone. Although the phrase in the constant pursuit of ever-changing current seems to have long been rarely locked in history, the social impact of a century ago dating back to the modern history of China from the modern age can be described as tumultuous . As scholars Meng Yue, Dai Jin