米兰·昆德拉的第九部作品《身份》主要以一对情人为中心,讲述他们相恋过程中,女主人公尚塔尔探索自己本真的爱情故事。作品中梦境多次出现,小说和现实世界的界限变得十分模糊,故事情节亦虚亦实,这使得故事本身在探讨女性身份的问题上具有更大的广泛性和适用性。借助拉康的镜像理论,通过尚塔尔的情人让·马克、其前夫及其家人、神秘老人的言行,来分析尚塔尔自我身份的探寻,可探究现代女性对自我身份的思考。 Milan Kundera’s ninth work, “identity” mainly in a pair of lovers as the center, tells the story of their love process, the heroine Thantar to explore their true love story. The dream appeared many times in the works, the boundaries of the novel and the real world become very vague, the story is also imaginary, which makes the story itself more extensive and applicable in the discussion of the status of women. With Lacan’s mirror theory, through the words and deeds of Chantal’s lover Jean-Marc, his ex-husband, his family, and the mysterious elder, it analyzes Chantal’s search for self-identity and explores modern women’s thinking about self-identity.