工笔花鸟画,发展至今,积淀了众多表现形式;勾勒、填染、没骨、烘托等。然而在工笔花鸟画又出现新的高潮的今天,肌理的在画面中的运用,受到众多画家的追捧。本文以肌理为切入点,浅析肌理在画面中应该如何去运用、怎么去应用等问题,以此来说明肌理作为工笔花鸟画的一种表现形式,它不是简单的呈现在画面中,而是它的存在具有特殊性意义,所以作为工笔花鸟的创作者,应当恰当的把握肌理的运用,这就是本文的立意所在。 Meticulous flowers and birds, since the development, has accumulated many manifestations; outline, fill, no bone, contrast and so on. However, after the new upsurge of the finest flower and bird paintings, the use of texture in the picture has been sought after by many painters. In this paper, texture as the starting point, the texture of the picture should be how to use, how to apply and other issues, in order to illustrate the texture as a pattern of flowers and birds painting a manifestation, it is not simply presented in the picture, but Its existence is of special significance. Therefore, as the creator of meticulous flowers and birds, we should properly grasp the use of texture, which is the intention of this article.