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以《天将雄师》《王朝的女人·杨贵妃》为代表的2015年国产历史题材影视作品,在文化视野和叙述视角上采用了颇可称道的“异域反观”手法,这种艺术安排本身体现了一种基于当下文化思潮的“文化弥合”的尝试。文化弥合是对有差异性的文明、文化现象进行兼顾沟通的艺术加工方式。主要包括历史素材价值观和当下时代价值观的弥合、中西文化的差异弥合、影视作品文学维度和历史维度的弥合三个方面。文化弥合的手法和风格决定了历史剧的定位和品味。
The domestic historical film and television productions of 2015, represented by “Tian Tian Xiong Shi” and “Woman of the Dynasty Yang Guifei”, adopted the commendable “foreign paradox ” approach from the cultural perspective and narrative perspective. This kind of artistic arrangement Itself embodies a kind of “cultural bridging” based on the current cultural thoughts. Cultural bridging is an art processing method that takes into account the differences between civilizations and cultural phenomena. Mainly including historical material values and values of the current era to close the gap between Chinese and Western cultures to close the film and television literature literary dimensions and historical dimensions of the three aspects of the closure. The method and style of cultural bridging determine the positioning and taste of historical drama.