王献之书《洛神赋十三行》,小楷,真迹写于麻笺,至唐代已散破。宋高宗得九行,后贾似道又觅得四行,共二百五十字,遂刻于玉版上,世称《玉版十三行》。王献之楷书学其父,又不拘于父法,张怀瓘言献之“能极小真书,可谓穷微入圣,筋骨紧密,不减于父”。《洛神赋十三行》或为楷书新体的代表作,其对后世楷书的影响是巨大的。 Wang Xianzhi book “Los God Fu thirteen lines”, lowercase, true written in linen, to the Tang Dynasty has been broken. Song Gaozong got nine lines, after Jia Sidao found four lines, a total of two hundred and fifty words, then engraved on the jade version, the world said “jade version thirteen lines.” Wang Xianzhi regular scriptures learn from his father, but also not in the Father Law, Zhang Huai 瓘 speech “can be very small real book, can be described as poorly integrated into the holy, bones close, not diminished in the father.” “Luo Shen Fu Thirteen” Or a regular script new masterpiece, its impact on later script regular script is enormous.