阅读北朝书法还是会很动心的,把一些作品放在书法史上也是毫不逊色的。这是一个巨大数量的集合,可是它们的书写者,史料皆无记载,就像一条风中的游丝,早已吹断。以一幅作品传世的人也有,像《上阳台》的李白,像《张好好诗》的杜牧。但是,除了这样的一幅作品之后,李白、杜牧有过多少的铺垫,他们在文学上的过人成就,支撑着《上阳台》、《张好好诗》的流传。后人总是要从一位书法家的一生中看到逐渐发展的轨迹,作品越是多,越是能使一位书法家有很高的知名度,这是一种通常的见解。譬如元之赵孟頫、明之文徵明,都是活一生写一生的人。作品品类之多、之细密,覆盖 Reading North calligraphy or will be very tempting, put some works in the history of calligraphy is no less. This is a huge number of collections, but their writers, historical records are not recorded, like a gossamer in the wind, has long been blown off. There are also people who passed on a piece of work, such as Li Bai, who is on the balcony, and Du Mu, who is like a good poem. However, apart from such a piece of work, Li Bai and Du Mu have laid the groundwork for so many things. Their extraordinary achievements in literature support the spread of “the balcony” and “Zhang good poems.” The descendants always see the gradual development track from the life of a calligrapher. The more works there are, the more they can make a calligrapher have a high reputation. This is a common view. For example, Zhao Yuan Meng Zhao, Wen Ming Zheng Ming, are living a lifetime writers. Many categories of works, the dense, covered