《莺啼序》是最长的词调,填此调者并不多,然况周颐似乎对之有某种特殊的偏爱,一人独填九首,且艺术上直逼吴文英词,体现出“潜气内转”“哀感顽艳”的特色。蕙风词此种特色的形成,与他在创作中重视布局和用笔的自觉意识有关,与他对“真”的追求和对梦窗词的推崇均有密切关联。 “Ying sequence” is the longest tone, fill in the transfer is not much, however, Zhou Yi seem to have a special preference for them, only one for each of nine, and artistically Wu Wenying words, reflecting the “ Submarine inside the turn ”“ ”Melancholy “ features. The formation of such characteristics of the lyricist phrase is closely related to his emphasis on the layout and the conscious consciousness of using a pen in his creations. His pursuit of ”truth " is closely related to the promotion of his dream words.