我在上个世纪七、八十年代,几乎同时发表过关于书画方面的论述文章,后又著《书法举要》及《中国画学谱》等书,其中也谈到自己在从事书画创作中的心得体会。我一向主张书画并重,故而在这些书中的章节里,自然会谈到书画同根同源的美学话题。二○○三年,有日本学者来华,协助我在日本出版发行一部普及书画特别是山水画学习的书《山水画入门》。在日本,书法与绘画完全为两种类别,书法家和 In the 1970s and 1980s, I published excerpts on painting and calligraphy almost at the same time, and later on books like “Calligraphy Abstracts” and “Theories of Chinese Paintings”. I also mentioned that I was engaged in the creation of calligraphy and painting Experience. I have always advocated the equal emphasis on calligraphy and painting. Therefore, in the chapters of these books, I naturally talk about the aesthetic topics of the same root of calligraphy and painting. In 2003, a Japanese scholar came to China to help me to publish and publish a book entitled “Introduction to Landscape Painting” in Japan, which is a popular painting and calligraphy, especially the study of landscape painting. In Japan, calligraphy and painting are completely two categories, calligrapher and