重看《一江春水向东流》,不禁思绪万端,萦回脑海。记不起首次看这电影是什么时候,但于1949年我在汉口曾看过一次。那时的我,是含着眼泪看完这部影片的,确乎被编导者的批判现实主义的艺术力量震撼了。当然,我那时也只关注着剧中个人的命运——扩大些说,无非素芬一家人的命运,而说不上其它。但,影片给我们的绝不止此。在三十年后,重看这部影片,所感就更多。这只能归于党的教育和生活的启示,同时感谢编导者留下了余味。现在,我认为,这部影片不仅仅是表现了个人的命运,而更主要的是用这个例子形象地阐明人民为抗战作出了巨大的牺牲,而在国统 Review “a river flow eastward”, can not help but thoughts, Wanted to mind. I can not remember the first time I saw this movie, but in 1949 I had seen it once in Hankow. At that time, I was shocked by the artistic power of critical realism directed by the filming artist who watched the film with tears. Of course, I was only concerned with the fate of the individual in the play at that time - to say something more about the fate of a non-trivial family, to say the least. However, the video to us more than this. Thirty years later, I read more about this video. This can only be attributed to the enlightenment of the party’s education and life, and thanks to the director left aftertaste. Now, I think this film not only shows the fate of individuals, but more importantly uses this example to vividly demonstrate that the people made great sacrifices for the war of resistance. In the national system