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傩舞作为傩仪中的重要组成部分及核心表现形式之一,有着独特的文化品格,是一个独立的文化生态学个体,对傩舞的独立研究将具有不可估量的意义。广西环江毛南族的傩舞作为原始舞蹈文化当代遗存的活化石,保存着原始人们丰富的自然崇拜精神和原生态的肢体语言。通过进行毛南族傩舞的田野考察,并结合当地的民俗及相关的历史文献资料,运用舞蹈生态学的研究方法提取毛南族傩舞的动作形态进行分析;立足本体但又不局限于本体,再根据舞蹈文化人类学、民俗学等研究方法,从多方位、多视角、全面地探究傩舞的动作形态,并概括起傩舞动作的特征,进而探究傩舞形态的成因。
As one of the important components and the core manifestation of the instrument, the dance has a unique cultural character and is an independent individual in the field of cultural ecology. The independent study of the dance of the dance will have immeasurable significance. As a living fossil of the contemporary remains of the primitive dance culture, the mao dance of the Maonan in the Huanjiang River in Guangxi province preserves the original people’s rich natural worship spirit and the original body language. Through the field investigation of Maonan 傩 dance and the local folklore and related historical documents and data, using the research methods of dance ecology to extract the movement forms of Maonan 傩 dance; based on the body but not limited to ontology, and then According to the research methods of dance culture anthropology and folklore, this paper explores the dance form of dance dance from multiple perspectives and multi perspectives, and summarizes the characteristics of dance dance and then explores the causes of the dance form.