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近年来,在研究中国现代美术的热潮中,存在着一种夸大西方现代美术对于中国现代美术的影响,甚至将接受西方现代派美术影响的中国现代派美术当作中国现代美术发展的主流的倾向。在一些文章和著作中,作者有意无意地将“五四”新美术运动、30年代左翼美术运动、40年代解放区美术和“国统区”进步美术、1949年以后直至今天坚持党的文艺路线、为社会主义服务、为人民服务的这条中国现代美术的主
In recent years, there has been a tendency to exaggerate the influence of Western modern art on Chinese modern fine art and even accept the Chinese modernist art influenced by Western modernist art as the mainstream of the development of Chinese modern art. . In some articles and writings, the author consciously or unconsciously made progress in fine art in the New Art Movement during the May 4 Movement, the left-wing art movement in the 1930s, the art in the liberated areas in the 1940s and the “National Unification Area”. From 1949 until today, he upheld the party’s line of literature and art and made contributions to the society Doctrine of service, serving the people of this Chinese modern art