济宁李长明(山东)在汉印中,通常是一个字的笔画繁杂,另一字的笔画特别少,有意处理成朱白相间印,借以调节虚实关系和平衡重心。“济宁”一印两字的笔画几乎均等而处理成红白相间印,各局部的留朱布白匀称相适,不能不说作者用心良苦。如能在一方印中用刀佶屈,计白当黑,“扰乱”视线,似朱实白,同时表现出白文兼朱文的笔画,使明线和暗线处在纠葛之中,造成朱白交叠的错觉,进而产生一种奇趣。艺术的创造就是要跳出惯常模式。若是受习惯上常规、单向思维的束缚,则势必思路狭窄,心眼受障,亦步亦趋,所造之印难免单一乏味而乏精彩可言了。 Jining Li Changming (Shandong) In Chinese and in Chinese, the strokes of a word are usually complicated and the strokes of another character are extremely small. They deliberately deal with the vermilion white and white in order to adjust the relationship between the actual situation and the center of gravity. “Jining ” A print of the word strokes are almost equal and processed into red and white printed, the local stay Zhu Bo white well-matched, can not but say that the author was well-intentioned. If one can use a knife and a bow in one print, count the white as black and disrupt the line of sight, like Zhu Shi-bai. At the same time he displays the strokes of the white paper and Zhu Wen, The illusion, and then produce a kind of funny. Art creation is to jump out of the usual mode. If by customary customary, one-way thinking of bound, it is bound to narrow the line of thought, obstinate mind, step by step, the resulting Indian inevitably a single boring and lack of exciting at all.