祖鲁·索福拉是尼日利亚第一位发表戏剧作品的女性作家,首先打进男性占支配地位的领域,并且产生巨大影响。在尼日利亚,令人不安的是妇女文学创作量小。关于妇女很少在文坛上露面的这种状况,祖鲁·索福拉本人提出了两个理由: “第一是尼日利亚的传统制度,男人总是在损害妇女的条件下受教育。第二,是妇女的日常家庭生活的负担比男人重。因此,妇女必须作出额外的努力才能创作……” 祖鲁·索福拉已经想方设法做出了额外的努力,转动着创造之轮,从妇女的传统后座位置开到富于生产性的场地,无论是舞台还是出版社,她都打进去了。她已经出生6个剧本:《被骚扰的圣诞节宁静》(1971)、《诸神的婚姻》(1972)、《埃米尼王》(1974)、《法律奇才》(1975)、《甜密的陷阱》(1977)、《陈酒味儿醇正》(1981),还有两个未出版的剧本《月光下的记念》和《少女之歌》,然而二者都在舞台和电视上演出 Zulu Sofra is the first female writer in Nigeria to publish dramatic works, first of all into the male dominated field, and have a huge impact. What is disturbing in Nigeria is the small amount of women’s literary creation. With regard to the situation in which women rarely appear in the literary arena, Zulu Sorafra himself put forward two reasons: “The first is the traditional Nigerian system where men are always educated under the condition of injuring women.” Second, Women’s daily family life is more burdensome than men’s, so women have to work extra hard to create ... “Zulu Sorafra has been working on ways to make additional efforts to turn the wheel of creation from women’s traditions The backseat opens up to a productive venue wherever she goes, whether it’s the stage or the press. She has been born in six plays: ”Haunted Christmas Serenity“ (1971), ”Marriage of the Gods“ (1972), ”King Emmini“ (1974), ”Law Wizards“ (1975) Trap ”(1977),“ Chen Wine Alcohols ”(1981), two unpublished scripts“ The Moonlight Memoir ”and“ Girls Songs ”, both of which are performed on stage and on television