民歌的产生,象生物的自然生长一样,是从民间文化的土壤里自然出现并在那里生息的。有人称之为“活性存在”。而记录下来的“民歌”,历史书籍里的“民歌”,却是死的,象博物馆里的生物标本一样,有人称之为“音乐化石”。 活的民歌具有无比的丰富性和生动性,具有顽强的生命力和几乎是无限的可塑性,而死的“民歌”却只有一副表情,只是一具骨架。 大量的民歌研究表明,在民歌的故乡,每一首山歌小曲都有许许 The production of folk songs, like the natural growth of living things, occurs naturally from the soil of folk culture and lives there. Some people call it “activity exists.” The recorded “folk songs” and “folk songs” in historical books are dead. Like the biological specimens in the museum, some people call them “musical fossils.” Live folk song is extremely rich and vivid, with tenacious vitality and almost limitless plasticity, but the dead “folk song” has only one expression, just a skeleton. A large number of folk song studies show that in the hometown of folk songs, every piece of folk songs are promising