中国陶瓷具有悠久的历史传统和独特的文化积淀,既有丰厚的传统财富,也有沉重的历史包袱。面对这样一份厚重的文化遗产,如何发挥其正面价值,消减其负面作用,是一个不容回避的问题。中国陶瓷传统是一个多角度、多层次的复合结构,笔者认为,可以把陶瓷传统分为“硬”传统与“软”传统两大构成。所谓“硬”传统,指的是陶瓷传统的表层结构,是陶瓷传统的物态化存在;是凝结在陶瓷载体上,通过陶瓷载体本身体现出来的 Chinese ceramics have a long history of tradition and unique cultural heritage, both rich traditional wealth, but also a heavy burden of history. The face of such a heavy cultural heritage, how to play its positive value, to reduce its negative effects, is an unavoidable issue. China’s ceramic tradition is a multi-angle, multi-level composite structure, the author believes that the ceramic tradition can be divided into “hard ” traditional and “soft ” two traditional composition. The so-called “hard ” tradition, refers to the traditional ceramic surface structure, is the ceramic traditional physical existence; is condensed on the ceramic carrier, embodied by the ceramic carrier itself